These familiar objects traversing the boundary between the real and artificial become a contemporary vanitas arrangement, immortalized in their unsettling restaging. ​The claustrophobic juxtapositions assess unchecked consumption and open a discourse around the ubiquity of mass produced objects in our daily rituals. Seemingly unremarkable, expendable "necessities" take center stage, the mundane and familiar transform into otherworldly cornucopias, building on the saturated language of commercial advertisements and subverting it.